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2005 Spring ->3D Computer Modeling ->Galleries ->Nathan Harling
| | | Nathan Harling | | Final Scene | | | Chashitsu | |
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| | Inspiration
The title of the piece, “Chashitsu,” is the Japanese word used to describe a room set apart from the common living structure and traditionally used for tea ceremony. The teapot in the scene comes from my attempt to accurately recreate a porcelain teapot owned by a friend of mine. I find the teapot fascinating from its shape and size to its texture and color. I don’t think it can ever be done true justice in any medium, however I’m still very satisfied with the digital result of my efforts.
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| | | Objects | Teapot | Nathan Harling | | | Table | Nathan Harling | | | Cup | Nathan Harling | | | | | | Textures | Porcelain | Nathan Harling | | | | | | Images | GoldReflection.tga | Newtek | | | silk_autocontrast_red-.jpg | Nathan Harling | | | silk_tile_specmap_smooth.jpg | Nathan Harling | | | aut12120-chorakuji-architecture.jpg | http://ajt.iki.fi/travel/japan/kyoto/ aut12120-chorakuji-architecture.jpg |
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| | Time Frame
Pre-Production – 2 hours Modeling – 10 hours Layout – 20 hours Lighting – 3 hours Rendering – 3 hours
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| | Problems and Solutions
Problem: How the heck and I going to do a porcelain texture that doesn’t look like plastic? Solution: I found what appears to be the only porcelain tutorial on the web which describes an excellent technique for creating realistic looking porcelain with no specularity involved. Problem: Modeling high poly objects rather than low poly then subpatching works great until the edges look super blocky. Solution: qemLoss like a madman then subpatch. Problem: Porcelain really has two visible layers: a very thin, highly translucent surface with an opaque colored layer directly underneath. Real Fresnel isn’t working out. Solution: Coffee! One of the plugins included with the textbook, called just that, is designed to help create realistic looking glass and liquid with that translucent surface I was looking for. Yes, I know glass is a liquid. I challenge any one of you to cut yourself open with room-temperature water. And no, the room can’t be in an arctic climate.
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| | References
Ablan, Dan – Inside Lightwave 7 Albee, Timothy – Essential Lightwave 7.5 Savinoff, Dmitry – http://www.savinoff.com/home/?chapter=extras&part=tutorials&nav=nn Alisha Thayer Lindsey Anderson
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