| | | John Summers | | Desk Scene | | | | | | | | | | | | | | | Secret Agent Man | |
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| | Inspiration
I recently watched Matrix for the first time in at least a year, and liked the multiple computer screens, so I used that for my desk scene. I wanted to take a little bit of a 00 agent feeling to it because I’ve always enjoyed watching James Bond movies and the idea just popped into my head instantly. And I was a little curious as to how I would be able to pull it together.
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| | | Objects | Desk 1 | John | | | Desk 2 | John | | | Lamp 1 | John | | | Lamp 2 | John | | | Camera | John | | | Tall Comp Screen | John | | | Short Comp Screen | John | | | Glass | John | | | Pencil | John |
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| | | Textures | Glass | Lightwave | | | Black Marble | http://www.marble-travertine.com/ images/big_pic/ big_black_marble.jpg | | | Access Denied | Created in Photoshop by John | | | Top Secret | Created in Photoshop by John |
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| | Problems and Solutions
P1: Since I have a different version of Lightwave at home, the options are a little different from what we learned in class, which took me a while to do some things. S1: Just took the time to look and search for the differences and was able to start completing things quicker. P2: I had trouble with the intensity of the lights, wanted to make sure that the whole scene could be viewed without great difficulty. S2: Just with taking the time to play around with the intensities and positions of the lights, I was able to figure out the better spots for me to position them.
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| | | Time Frame | Desk | 25 minutes | | | Lamps | 20 minutes | | | Camera | 10 minutes | | | Glass | 60 minutes | | | Pencil | 1 minute | | | Computer Screens | 30 minutes | | | Lighting, rendering, and positioning | 3 hours |
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| | References
Glass Texture – Mirrors & Glassware Todd Clark
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